Identify Regarding Books The Anthology and the Rise of the Novel: From Richardson to George Eliot
| Title | : | The Anthology and the Rise of the Novel: From Richardson to George Eliot |
| Author | : | Leah Price |
| Book Format | : | Paperback |
| Book Edition | : | Deluxe Edition |
| Pages | : | Pages: 236 pages |
| Published | : | July 17th 2003 by Cambridge University Press (first published September 13th 1996) |
| Categories | : | Writing. Books About Books. Criticism. Literary Criticism. Nonfiction |
Leah Price
Paperback | Pages: 236 pages Rating: 3.54 | 13 Users | 3 Reviews
Commentary Conducive To Books The Anthology and the Rise of the Novel: From Richardson to George Eliot
The Anthology and the Rise of the Novel brings together two traditionally antagonistic fields, book history and narrative theory, to challenge established theories of "the rise of the novel." Covering British novelists from Richardson to George Eliot, this study asks why the epistolary novel disappeared, how the book review emerged, and how editors' reproduction of old texts has shaped authors' production of new ones. This provocative book promises to change the way we think about the future of intellectual property, and the role that anthologies play in the classroom.Particularize Books To The Anthology and the Rise of the Novel: From Richardson to George Eliot
| Original Title: | The Anthology and the Rise of the Novel: From Richardson to George Eliot |
| ISBN: | 0521539390 (ISBN13: 9780521539395) |
| Edition Language: | English |
Rating Regarding Books The Anthology and the Rise of the Novel: From Richardson to George Eliot
Ratings: 3.54 From 13 Users | 3 ReviewsCrit Regarding Books The Anthology and the Rise of the Novel: From Richardson to George Eliot
Much is irrelevant to my own work, so I am in the strange position of having skimmed and skipped through a work largely about the reading practices of skimming and skipping, but I really enjoyed the parts that did touch upon the Gothic (and even those about Clarissa, which I haven't read, but have read *about* endlessly), so I expect I'll return to these ideas.I didn't actually read the whole book, just one chapter. I like the way that she examines publication history, especially of particular authors such as George Eliot, to trace the development of the cultural cache of the novel. I hope to have time to read the rest at some point...
Price thinks about how anthologizing and condensing literary works reflects on reader's assumptions about reading practices: what's worth reading, what's forgettable. She specifically focuses on the anthology and the novel--which are particularly uncomfortable friends. Best chapter is her last chapter on Eliot and Eliot's anxieties about her own quotability and how that makes her work peculiarly marketable, as well as aphoristic out of context. Really enjoyed this--I hope a similar impulse will
Price thinks about how anthologizing and condensing literary works reflects on reader's assumptions about reading practices: what's worth reading, what's forgettable. She specifically focuses on the anthology and the novel--which are particularly uncomfortable friends. Best chapter is her last chapter on Eliot and Eliot's anxieties about her own quotability and how that makes her work peculiarly marketable, as well as aphoristic out of context. Really enjoyed this--I hope a similar impulse will
Leah Price is an American literary critic who specializes in the British novel and in the history of the book. She is Professor of English Literature at Harvard University, where at the age of 31 she became the first female assistant professor ever to be promoted to tenure.
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