Be Specific About Books Supposing La letteratura nazista in America
| Original Title: | La literatura nazi en América |
| ISBN: | 8845928144 (ISBN13: 9788845928147) |
| Edition Language: | Italian URL http://www.adelphi.it/libro/9788845928147 |
| Literary Awards: | BTBA Best Translated Book Award Nominee for Fiction shortlist (2009) |
Roberto Bolaño
Paperback | Pages: 250 pages Rating: 3.87 | 4442 Users | 449 Reviews
Declare Regarding Books La letteratura nazista in America
| Title | : | La letteratura nazista in America |
| Author | : | Roberto Bolaño |
| Book Format | : | Paperback |
| Book Edition | : | Fabula |
| Pages | : | Pages: 250 pages |
| Published | : | September 18th 2013 by Adelphi (first published February 1996) |
| Categories | : | Fiction. Cultural. Latin American. Short Stories. Novels |
Description To Books La letteratura nazista in America
Di tutti i libri di Bolaño, La letteratura nazista in America è certo il più intensamente, smodatamente, spudoratamente borgesiano – e anche wilcockiano, se si pensa alla Sinagoga degli iconoclasti. E insieme rappresenta, se così si può dire, la quintessenza della «bolañità». In apparenza, l'oggetto è sobrio e rassicurante: un panorama degli scrittori filonazisti, di ognuno dei quali si traccia il percorso biografico e si dà conto della produzione; si descrivono perfino alcune opere, nonché i rapporti intercorsi fra di loro, le riviste che li hanno ospitati, le case editrici che li hanno pubblicati, e alla fine del volume figurano un indice dei nomi e una bibliografia. Eppure, quasi subito, ci accorgiamo che qualcosa non funziona: non foss'altro perché almeno un paio risultano morti dopo il 2015. A poco a poco capiamo, in una sorta di vertigine, che nessuno di questi scrittori, poetesse, movimenti letterari, è mai esistito, e che Bolaño sta costruendo sotto i nostri occhi un inquietante universo parallelo: del tutto plausibile e del tutto immaginario. Ma non irreale. È allora che cominciamo a stare al gioco, e ad abbandonarci al flusso inarrestabile di quello che non è solo uno scoppiettante, geniale divertissement letterario, ma soprattutto un susseguirsi di storie aberranti e al contempo esilaranti, e una galleria di mostri, spesso tremendamente comici. Così, difficilmente ci dimenticheremo di Carlos Hevia (Montevideo, 1940-2006), autore, fra l'altro, del Premio di Giasone, «favola allegorica nella quale la vita sulla Terra sarebbe il risultato di un concorso televisivo intergalattico fallito», o di Jim O'Bannon (Macon, 1940-Los Angeles, 1996), il quale «conservò fino alla fine il disprezzo per gli ebrei e gli omosessuali; i negri cominciava pian piano ad accettarli quando lo raggiunse la morte».Rating Regarding Books La letteratura nazista in America
Ratings: 3.87 From 4442 Users | 449 ReviewsColumn Regarding Books La letteratura nazista in America
In the one notorious Book in 2666, Bolano numbs his reader with one vignette of rape and murder after another. They read like a police blotter. In Nazi Literature in the Americas, one capsule biography of an extreme right-wing writer follows another. They read like encyclopedia entries. Theres an ostensible simplicity there; but this is not just some mere exposition of cleverness. I mean, it cant just be that, can it?(Whenever I make some pretense of discussing what a work of fiction reallyThis is a real oddity, very clever, ironic and satirical, hardly a novel; more an encyclopedia. Basically it is a list of fascist and ultra right wing authors of the Americas. Each one has a brief biography and analysis of their works, with their dates (some don't pass away until the 2020s). They are generally self deluded, often vicious, mostly mediocre and Bolano sends them all up remorselessly. Their fictional biographies sometimes overlap with real life; Ginsberg, Octavio Paz and Borges pop
The artists, writers, poets which inhabit this lexicon-type novel breathe the air of history, and all lead individual destinies never devoid of woe. The pursuit of art is presented warts-&-all, & is as realistic of art as it is about the appreciation of art."Nazi Literature in the Americas" is one prolonged lament. (As if anything R. Bolano ever wrote wasn't one.) The uniqueness of the novel is that it has no plot but has instead the overwhelming urge to collect writers as economically,
Nazi Literature in the Americas, by Roberto Bolaño, New York, 2008. A collection of faux-criticism and thumbnail biographies of authors who never existed beyond the pages of this book (and others in his oeuvre). The style is direct, written for the public rather than the academic and marred by only a handful of clichés (which may have mushroomed up in translation). Humor is dry but ever-present. Much of the text is told in summary and therefore a bit distant but an occasional "scene" slips
When Amalfitano subjects his pharmacist to a short mental screed about the drawbacks of writers' minor works in 2666, this is exactly the kind of thing he's talking about. A series of biographical sketches of fictional western-hemisphere writers with far-right sympathies, it'll take you no more than two or three hours to read. In its personalization of its characters' politics, it offers a bit of a clue to Bolano's modus operandi; it's just not as inventive as you'd like it to be, and not as
This book is not for everyone - it requires that you are already in on Bolaño's prosopographical (inside) jokes (if you are, much of this is hysterical); love his jungle of proper nouns - reminiscent of Whitman or Catullus, but lusher -- and have a serious interest in understanding the pathologies of fascism and Nazism. For what Bolaño offers here is nothing less than a filleting of the psychology/pathology of fascism -- on the premise that fascism is not a doctrine (not wholly true), but a
The format of this fiction is as a biographical guide to Nazi writers, pre- and post-World War II. I was expecting the "entries" to tie together into some sort of recognizable narrative. Bolaño does not do this. Indeed, Bolaño is not even interested in this. Each entry is freestanding and could be subtracted from the whole as easily as, say, new entries could be added. While there is some cross-pollination it doesn't pull the disparate parts together into a story. While the book has relevance
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